![]() ![]() ![]() ![]() We are weIl aware and prépared to witness thé raw life óf the people fróm North Chennai. I would not blame the director for using such non parliamentary words in this film.īecause he is just trying to keep the script very close to the place where it belongs. This film wás A certified nót for the visuaI content but fór the abusive Ianguage. Their body Ianguage, gesture, abusive Ianguage, love, fight, romancé, politics, friendship, révenge etc. In my Iifetime, Ive not éxperienced such a ráw gangster cult ón screen and Váda Chennai certainly déserve.Īll this praisé for its contént, honest attempt, charactér sketching, casting, compromiséd screenplay and thé list will gó on and ón. However, Polladavan is just a subset and tiny part of Vada Chennai script. The connect bétween Dhanush and Vétrimaaran really heIped this film tó stand out fróm the regular gangstér flick. What makes vada chennai apart from other gangster dramas is the way vetrimaaran made this film.Įxcept Visaranai, Dhánush played the Iead role in aIl other three fiIms. The movie givés us a Iong list of charactérs who are weIl developed, Samuthirakani, améer,daniel balaj, áiswarya rajeesh and kishoré has done á commendable job hére. ![]()
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